No - Kajol can never go anywhere. Kajol is absolutely hearts and minds and memories and silloys for ever and ever. I think if I was to, I wouldn't be exaggerating I if say in our times of film-making she's a beautiful living legend.
Interpretation
This quote underscores Kajol's lasting impact on cinema and her significance in the memories of fans and filmmakers alike.
Shahrukh Khan's quote emphasizes the indelible mark that Kajol has left in the world of film, portraying her not just as an actress but as a cherished figure in the hearts and minds of audiences. By referring to her as a 'beautiful living legend', he highlights the emotional connection and admiration that people feel towards her work and contributions, suggesting that her influence in cinema is both profound and eternal.
In practice
In a speech honoring legendary actors, you might include this quote to emphasize their impact.
I've told Kamal Haasan, Amitabh Bachchan, Naseeruddin Shah, Nana Patekar, I just want to touch you. They are the gods of acting. When people call me God, I say, no, I'm still an angel or saint of acting. I still have a long way to go.
You know, I think we Indians are afraid to show and celebrate our happiness, lest things change around. But I feel that it's okay to be sad and okay to show when you are happy.
I am like a Rolls- Royce. I can run without an engine, purely on reputation
If you like me, raise your hand. If you don't, raise your standards
More than an actor, I am a performer... I'm a great believer - honestly so, shamelessly so, vulgarly so - that cinema is for entertainment. If you want to send messages, there's the postal service.
In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
I like films that take their time a little bit more and don't show you all of their cards right away, characters that are conflicted and contradicting and seem one way at first and then suddenly turn out to be something else.
I can work on a verse for a very long time before realising it's not any good and then, and only then, can I discard it.
Beautiful young people are accidents of nature, but beautiful old people are works of art.
If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.
The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
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