I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?

The truth is that since childhood I had cultivated an existential independence. It came from perceiving the adults around me as unreliable, and without it I felt I wouldn't have survived. I cared deeply for everyone in my family, but in the end I depended on myself.

A king who dies on the cross must be the king of a rather strange kingdom.

For after all, what is there behind, except money? Money for the right kind of education, money for influential friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O lord, give me money, only money.

Another strange notion pervading whole peoples is that the State has money of its own; and nowhere is this absurdity more firmly fixed than in America. The State has no money. It produces nothing. It existence is purely parasitic, maintained by taxation; that is to say, by forced levies on the production of others. 'Government money,' of which one hears so much nowadays, does not exist; there is no such thing.

Who gave you the ability to contemplate the beauty of the skies, the course of the sun, the round moon, the millions of stars, the harmony and rhythm that issue from the world as from a lyre, the return of the seasons, the alternation of the months, the demarcation of day and night, the fruits of the earth, the vastness of the air, the ceaseless motion of the waves, the sound of the wind?