When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
Tom WaitsRead
As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.
Interpretation
This quote reflects a longing for the wisdom and experiences of older generations.
Tom Waits expresses a desire to carry the rich stories and unique styles of older individuals into his own life, symbolizing a connection between past experiences and present identity. The nostalgia in this quote highlights the human tendency to admire the experiences of others and a yearning to incorporate those elements into one's own journey.
In practice
Using this quote at a storytelling event to highlight the value of sharing experiences across generations.
When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it, you got yourself a bad year. Take it from me - choke those little bad days. Choke 'em down to nothing.
My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home I’d rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make ‘em grow
When the fiddle had stopped singing Laura called out softly, "What are days of auld lang syne, Pa?" "They are the days of a long time ago, Laura," Pa said. "Go to sleep, now." But Laura lay awake a little while, listening to Pa's fiddle softly playing and to the lonely sound of the wind in the Big Woods,… She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
I am suddenly comsumed by nostalgia for the little girl who was me, who loved the fields and believed in God, who spent winter days home sick from school reading Nancy Drew and sucking menthol cough drops, who could keep a secret.
While Pickstown may not be what it once was, it still is framed by the natural beauty of the ancient river, the sweep of the Great Plains, and the long, unbroken shoreline of the lake behind the dam. It gave me a 19th-century childhood in a modern mid-20th-century town, and for that I will always be grateful.
Ah, happy hills! ah, pleasing shade! Ah, fields beloved in vain! Where once my careless childhood stray'd, A stranger yet to pain! I feel the gales that from ye blow A momentary bliss bestow.
Into my hear an air that kills through yon far country blows what are those blue remembered hills what spires,what farms are those? that is the land of lost content I can see it shining plain the happy highways where I went and cannot come again.
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