To a large extent: it's about economy of space. You have so little real estate when you're writing a half hour show. It's really twenty minutes. So you have to with a pilot introduce all your characters, set up the premise in a way that shows the potential for a series and make it funny and do it all in about thirty-five or forty pages. It's very hard.
That and when you're doing live action you don't normally get to see the thing before it's in production. In this case we'd go in every couple weeks … - Jonathan M. Goldstein
That and when you're doing live action you don't normally get to see the thing before it's in production. In this case we'd go in every couple weeks …
- Jonathan M. Goldstein
The thing about animation is that it's a constantly changing process. They talk in terms of sequences - so there's like thirty different sequences in… - Jonathan M. Goldstein
The thing about animation is that it's a constantly changing process. They talk in terms of sequences - so there's like thirty different sequences in…
To a large extent: it's about economy of space. You have so little real estate when you're writing a half hour show. It's really twenty minutes. So y… - Jonathan M. Goldstein
To a large extent: it's about economy of space. You have so little real estate when you're writing a half hour show. It's really twenty minutes. So y…
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