[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
Interpretation
The quote expresses the admiration for Lee Morgan's innate talent and emotional depth in jazz music as compared to technical skill.
Freddie Hubbard reflects on his experience with Lee Morgan, emphasizing the impact of Morgan's raw emotional expression and passion in his music. While Hubbard acknowledges his own technical prowess, he recognizes that the audience was drawn to Morgan's heartfelt performance, highlighting the significance of feeling in artistic expression over mere technique.
In practice
Using this quote in a tribute to musicians who inspire others with their emotional performances.
It wasn't until I went to my first comic convention while I was in high school that I got to see actual comic book artists and original artwork in real life, up close. That was when I first realized that this is what I wanted to do for a living.
I’m very worried about the depiction of women on the screen. It’s gotten worse than ever and it’s related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There’s nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.
Writing is more about imagination than anything else. I fell in love with words. I fell in love with storytelling.
I never thought anyone would come up to me and say, 'I like 'Better Call Saul' better than 'Breaking Bad.'' If you had asked me before we started, 'Would that bother you if someone said that?' First of all, I would have said, 'That's never gonna happen. And yeah, it probably would bother me.' It doesn't bother me a bit. It tickles me. I love it.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
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