People want to get immersed and lost in a world. They want to lean in and figure it out, and that's true of both of these shows. You don't know quite…

- Miles Millar

We got the idea of nature almost encroaching. It's incredibly lush, incredibly green, we really popped the colors, lots of deep reds and the greens. …

- Miles Millar

It was very challenging in terms of making sure that everyone is distinct. Also, we wanted to have some Asian influences as well, so that it really i…

- Miles Millar

[Into the Badlands] wasn't going to be two days of a splinter unit at the end of the shoot. The action and the martial arts had to be integral to the…

- Miles Millar

Another thing we wanted to do, a lot of shows or movies that are in the future or the post-apocalyptic are very bleached, desaturated desert environm…

- Miles Millar

Also, when we did "Smallville," we didn't have an opportunity to interact with people who watched the show. And see what they had to say and listen t…

- Miles Millar

There's always someone kicking guns. We wanted ["Badlands"] to be a world without guns and bullets, where martial arts was the form of fighting and d…

- Miles Millar

I think that people are really hungry for original content. I think there's a sense of reboots and remakes, and we're lacking in any sense of origina…

- Miles Millar

There are a couple of specific things about the show [Into the Badlands]. We didn't want to do a contemporary show, which is always "Chinese cop come…

- Miles Millar