If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
Anton ChekhovRead
If our life has a meaning, an aim, it has nothing to do with our personal happiness, but something wiser and greater.
Interpretation
Life's meaning transcends personal happiness, focusing instead on greater wisdom and purpose.
This quote by Anton Chekhov suggests that the true essence of life is not merely about seeking personal joy or contentment. Instead, it delves into the idea that a meaningful existence is tied to higher ideals or purposes that may not always align with one's individual happiness. Chekhov presents a thought-provoking perspective that encourages individuals to look beyond their immediate desires to find fulfillment in broader, more significant life goals.
In practice
In a speech about personal development, one might use this quote to emphasize the importance of seeking higher goals.
If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
There are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
Any idiot can face a crisis - it's day to day living that wears you out.
To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
Racism is, among other things, the unearned skepticism of one group of humans joined to the unearned sympathy for another.
The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .
The flattery of posterity is not worth much more than contemporary flattery, which is worth nothing.
God is not present in idols. Your feelings are your god. The soul is your temple.
We have a limit, a very discouraging, humiliating limit: death.
When the virus of restlessness begins to take possession of a wayward man, and the road away from Here seems broad and straight and sweet, the victim must first find himself a good and sufficient reason for going.
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