When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
V. S. NaipaulRead
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
Interpretation
Writing fiction can distort reality, while nonfiction allows for genuine exploration of the world.
V. S. Naipaul suggests that writing exclusively fiction can lead to a distortion of truth, as the need to dramatize and shape narratives might overshadow authentic experiences. In contrast, he advocates for nonfiction as a medium that encourages a deeper understanding and exploration of the world, allowing writers to engage with reality and its complexities in a more truthful manner.
In practice
In a speech about the importance of truthful storytelling, this quote could serve as a reminder for writers to seek authenticity.
When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling.
If you decide to move to another country and to live within its laws you don't express your disregard for the essence of the culture. It's a form of aggression.
One must always try to see the truth of a situation - it makes things universal.
His ignorance seemed to widen with everything he read.
I think when you see so many Hindu temples of the 10th century or earlier disfigured, defaced, you realise that something terrible happened. I feel the civilisation of that closed world was mortally wounded by those invasions the old world is destroyed. That has to be understood. Ancient Hindu India was destroyed.
Race is the true protagonist of the American novel. Our most popular classic fictions have known this, from 'Moby Dick' to 'Beloved;' all these books take on race or talk it out, often in other forms; they are less 'horror stories for boys' than ghost stories from a haunted conscience.
The profession of book writing makes horse racing seem like a solid, stable business.
If you read quickly to get through a poem to what it means, you have missed the body of the poem.
He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. . . . He was naturally learn'd; he needed not the spectacles of books to read Nature; he looked inwards, and found her there. . . . He is many times flat, insipid; his comic wit degenerating in to clenches, his serious swelling into bombast. But he is always great, when some occasion is presented to him.
Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.
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