But life isn't hard to manage when you've nothing to lose.
Interpretation
This quote suggests that life becomes simpler when one has little at stake.
Ernest Hemingway's quote reflects on the nature of risk and attachment in life. When you have little to lose, decisions may seem less complicated, and one can approach life with a sense of freedom and fearlessness. This perspective can lead to a more liberated existence, though it may also imply a lack of depth in relationships and commitments.
In practice
In a motivational speech about overcoming fears and embracing change.
He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on.
How did you go bankrupt?" Two ways. Gradually, then suddenly.
When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
Wine is the most civilized thing in the world.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
But before we die, how shall we live? I say with hope and dignity; and if premature death is the result, that death has a meaning reactionary suicide can never have. It is the price of self-respect.
Utopias and dystopias can exist side by side, even in the same moment. Which one you're in depends entirely on your point of view.
The compass of compassion asks not what is good for me? but what is good? Not what is best for me but what is best. Not what is right for me but what is right. Not how much can we take? but How much ought we leave? and how much might we give? Not what is easy but what is worthy. Not what is practical but what is moral.
In peace sons bury fathers, but war violates the order of nature, and fathers bury sons.
The end of life has its own nature, also worth our attention. I don't say this without reckoning in the sorrow, the worry, the many diminishments. But surely it is then that a person's character shines or glooms.
Robert was the true steel. Stannis is pure iron, black and hard and strong, yes, but brittle, the way iron gets. He'll break before he bends. And Renly, that one, he's copper, bright and shiny, pretty to look at but not worth all that much at the end of the day.
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