Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
I don't find my life that interesting. The shows, maybe. But not me.
Interpretation
This quote reflects a perception of oneself as less interesting than one's creative work.
Stephen Sondheim's quote suggests a common feeling among artists, where the creative output may seem more compelling than the artist's personal life. It highlights the notion that the process of creation often takes precedence over the individual's personal narrative, emphasizing how art can transcend the artist's own experiences.
In practice
In a discussion about the nature of creativity, this quote can illustrate how artists often feel their work overshadows their personal stories.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
I never read anything concerning my work. I feel that criticism is a letter to the public which the author, since it is not directed to him, does not have to open and read.
A story is a living thing, it moves and shifts.
Dance training can't be separate from life training. Everything that comes into our lives is training. The qualities we admire in great dancing are the same qualities we admire in human beings: honesty, courage, fearlessness, generosity, wisdom, depth, compassion,and humanity.
My work is about seeing - seeing things like they haven't been seen before.
There is two kinds of music, the good, and the bad. I play the good kind.
I looked at myself, and I just said, 'Well, you know, I can sing, but I'm not the greatest singer in the world. I can play guitar very well, but I'm not the greatest guitar player in the world.' So I said, 'Well, if I'm going to project an individuality, it's going to have to be in my writing.'
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