Painting is the passage from the chaos of the emotions to the order of the possible.
BalthusRead
Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
Interpretation
The quote emphasizes the duality of painting as both a liberating experience and a challenging process involving self-reflection and critique.
In this quote, Balthus expresses how painting serves as a means of freedom, allowing him to convey his experiences and emotions. However, he also acknowledges that this artistic endeavor is not without its struggles, as it requires introspection, critical analysis, and a commitment to hard work.
In practice
In an art class, a teacher could inspire students by sharing this quote to highlight the importance of both creative freedom and the effort involved in the artistic process.
... The 'cleverness' syndrome has taken the place of melody. It's like everyone has come down with this terrible disease in jazz....you are always expected to do your own material, which is a strange thing to do if you're a poor composer but a great player.
The eye can travel over the surface in a way parallel to the way it moves over nature. It should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment, there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events.
A first-rate soup is more creative than a second-rate painting.
I had given up ( around 1950, fh) any ambition of making a career as an artist…..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure.
So vast is art, so narrow human wit.
The audience will find the artist who matches their interests. If you're not being true to yourself, your audience can't find you, because there's a wall up between who you are and who they're seeing.
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