Love, whether newly born, or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, this it overflows upon the outward world.
Nathaniel HawthorneRead
She poured out the liquid music of her voice to quench the thirst of his spirit.
Interpretation
The quote emphasizes the power of one's voice and presence in nourishing and uplifting another's spirit.
In this quote, Nathaniel Hawthorne beautifully illustrates the idea that a person's voice can have a profound and nourishing effect on someone who is emotionally or spiritually parched. The metaphor of 'liquid music' suggests that her voice is not only melodious but also essential for his well-being, highlighting the deep connection and emotional sustenance that love can provide.
In practice
This quote can be used in a romantic setting to express the significance of a partner's words.
Love, whether newly born, or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, this it overflows upon the outward world.
A bodily disease which we look upon as whole and entire within itself, may after all, be but a symptom of some ailment in the spiritual part.
All merely graceful attributes are usually the most evanescent.
There is so much wretchedness in the world, that we may safely take the word of any mortal professing to need our assistance; and, even should we be deceived, still the good to ourselves resulting from a kind act is worth more than the trifle by which we purchase it.
Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart! Else it may be their miserable fortune, when some mightier touch than their own may have awakened all her sensibilities, to be reproached even for the calm content, the marble image of happiness, which they will have imposed upon her as the warm reality.
The thing you set your mind on is the thing you ultimately become.
I want in fact more of you. In my mind I am dressing you with light; I am wrapping you up in blankets of complete acceptance and then I give myself to you. I long for you; I who usually long without longing, as though I am unconscious and absorbed in neutrality and apathy, really, utterly long for every bit of you.
For children love is a feeling; for adults, it is a decision. Children wait to learn if their love is true by seeing how long it lasts; adults make their love true by never wavering from their commitment.
When you have a wife who has been a tower of strength and shown more courage than you dreamed existed - that's the finest I know.
Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!
Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
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