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The Little Mute Boy The little boy was looking for his voice. (The king of the crickets had it.) In a drop of water the little boy was looking for his voice. I do not want it for speaking with; I will make a ring of it so that he may wear my silence on his little finger In a drop of water the little boy was looking for his voice. (The captive voice, far away, put on a cricket's clothes.) Translated by William S. Merwin
Federico Garcia Lorca
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Interpretation

What this quote means

The quote reflects the profound quest for self-expression and identity amidst silence and longing.

In this quote by Federico Garcia Lorca, a little mute boy symbolizes the deeper human desire to find one's voice and express oneself. The imagery of the boy searching for his voice in a drop of water suggests that identity and expression can often feel elusive and fragile, while the idea of creating a ring from the voice indicates a yearning to cherish and embody that which is unexpressed, thus translating silence into a personal belonging.

Themes

Self-ExpressionIdentitySilenceLongingVoiceReflection

In practice

Example use cases

In a speech about overcoming adversity, one might quote this to illustrate the importance of finding one’s unique voice.

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The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
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There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.
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The poem, the song, the picture, is only water drawn from the well of the people, and it should be given back to them in a cup of beauty so that they may drink - and in drinking understand themselves.
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Death laid its eggs in the wound
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The two elements the traveler first captures in the big city are extra human architecture and furious rhythm. Geometry and anguish.
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New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
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