When Little Richard used to stand up and play it was just fabulous, and Liberace had the candlesticks and the rings and the gift of the gab. The piano's is the most ungainly rock' n' roll instrument of all time but those two people transcended it, as did Jerry Lee Lewis.
Interpretation
This quote celebrates the extraordinary talent of iconic musicians who transformed the rock 'n' roll experience.
Elton John reflects on the unique qualities of legendary performers like Little Richard and Liberace, who, despite the unconventional nature of the piano as a rock 'n' roll instrument, excelled and captivated audiences with their flamboyant style and charisma. The quote acknowledges their ability to transcend musical norms and create an unforgettable impact in the world of music.
In practice
This quote can be used during a music appreciation class to highlight the impact of individual artists.
I don't want to be married. I'm very happy with a civil partnership. If gay people want to get married, or get together, they should have a civil partnership. The word 'marriage,' I think, puts a lot of people off. You get the same equal rights that we do when we have a civil partnership. Heterosexual people get married. We can have civil partnerships.
I just wish more of my fellow queers would come out sometimes. It's nice out here, you know?
At heart I've always been a music fan. That part of me has never changed since I was a little kid, sitting in a room watching a record go round, looking at the colour of the labels.
I hate to say this, but I always listen to the music and the instrumentation first, and then grab on to the lyrics later.
So excuse me forgetting, but these things I do_x000D_ _x000D_ You see I've forgotten, if they're green or they're blue_x000D_ _x000D_ Anyway, the thing is, what I really mean_x000D_ _x000D_ Yours are the sweetest eyes, I've ever seen.
Don't be afraid to let her into your heart and when your down, don't try to carry the whole world on your shoulders.
When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
The tone is in your fingers, not in your amp or effects.
When one knows at an early age that their gift, talent and direction is musical, one tends to focus on that and let nothing interfere or impede the forward motion toward the end of that rainbow. And after 50-something years of rockin' out, you still realise there is no end to that distant rainbow until one's last sunset.
Until it's on the radio or online, it's not real. With U2, our album isn't finished until it's in the stores.
Jazz is there and gone. It happens. You have to be present for it. That simple.
Subscribe for the occasional hand-picked quote. No noise.