Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
Long books, when read, are usually overpraised, because the reader wishes to convince others and himself that he has not wasted his time.
Interpretation
Long books are often overly praised by readers who want to justify their investment of time.
E. M. Forster highlights a common phenomenon where readers feel compelled to claim that long books are valuable, primarily because they have invested significant time into reading them. This suggests a desire for validation, both from others and from themselves, to affirm that the time spent was not a waste, even if the content may not truly deserve such praise.
In practice
This quote could be used in a book club to discuss the merits of lengthy novels.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
Literature got me into this mess and literature is going to have to get me out of it.
The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.
I think the job of writing and literature is to encourage each one of us to believe that we're living in a story.
People without hope not only don't write novels, but what is more to the point, they don't read them.
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