Los Angeles is not a town full of airheads. There's a great deal of wonderful energy there. They say 'yes' to things; not like the endless 'nos' and 'hrrumphs' you get in England!
Interpretation
This quote highlights the vibrant and open-minded spirit of Los Angeles compared to a more conservative mentality in England.
Alan Rickman contrasts the culture of Los Angeles with that of England, suggesting that the people in LA are more open and enthusiastic, while those in England may be more reserved and critical. The quote reflects an appreciation for the positive energy and willingness to embrace new experiences found in Los Angeles, celebrating a way of life that encourages acceptance and spontaneity.
In practice
In a speech about embracing change, I shared Alan Rickman's thoughts on the positive attitude present in Los Angeles.
Film has to be reflecting the world that we live in, and that's all you want to be a part of. Actors inhabit the same planet as everyone else. It's a weird thing that happens when you're an actor because people hold you up because you somehow embody in parts groups of people or people's hopes or something.
You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
I'm a lot less serious than people think, it's probably because the way my face is put together.
Those of you who are not aware of my brilliant career as a stand up comic, I'm not aware of it either so we might well wonder what we're doing here.
Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
Biographies of me have usually been compiled from old newspaper clips, untruthful publicity stories, and reminiscences of people who claim to have known me well.
When you're going through something, whether it's a wonderful thing like having a child or a sad thing like losing somebody, you often feel like 'Oh my God, I'm so overwhelmed; I'm dealing with this huge thing on my own.' In fact, poetry's a nice reminder that, no, everybody goes through it. These are universal experiences.
The trick is to age honestly and gracefully and make it look great, so that everyone looks forward to it.
Life wouldn’t be worth living if I worried over the future as well as the present. When things are at their worst I find something always happens.
In people's eyes, in the swing, tramp, and trudge; in the bellow and uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
In deference to such spectacular carnage it is perhaps perverse to dwell upon one person's death, but we are creatures so constituted that the passing of one friend or one acquaintance has a profounder effect that that of 100,000 strangers. If there is any metaphorical truth in the Jewish proverb that he who saves one life saves the whole world, then there is equal metaphorical truth in the proposition that when one person dies, the whole world dies with them.
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