When I die, they'll bury the blues with me. But the blues will never die.
John Lee HookerRead
I don't play a lot of fancy guitar. I don't want to play it. The kind of guitar I want to play is mean, mean licks.
Interpretation
John Lee Hooker expresses his preference for straightforward and powerful guitar playing over complex techniques.
In this quote, John Lee Hooker emphasizes his desire for authenticity and raw expression in music rather than adhering to elaborate or showy techniques. He values the emotional impact of 'mean licks'βa term referring to forceful and often bluesy guitar riffsβover the superficiality of fancy playing, highlighting a more personal and visceral approach to music.
In practice
This quote can be used in a discussion about the importance of authenticity in art during a music workshop.
When I die, they'll bury the blues with me. But the blues will never die.
The blues tells a story. Every line of the blues has a meaning.
Like you and your woman ain't gettin' along and you're in love. You can't sleep at nights. Your mind is on her - on whatever. You know, that's the blues. You can't hug that money at night. You can't kiss it.
They wasn't gonna give you nothin'. I didn't care as long as they let me play my music. Cash on the spot... You cheat me and I'm gonna get me some money, too.
You can go to Europe, and there's no turnin' back - any parts of Europe. Wherever you are, there is no stop and go for the blues. The blues go but it don't stop.
I don't think about time. You're here when you're here. I think about today, staying in tune.
I saw satan laughing with delight_x000D_ The day the music died.
I never sang for a Grammy, for money, for fame. That's my whole purpose for singing: for people, for the fans.
I'm the keeper of the flame for Whitney Houston. She was the greatest... and I don't want the world to forget that.
When the band plays fast, you play slow; when the band plays slow, you play fast.
I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.
My introduction of Whitney was that if there's going to be one performer for the next generation who combined the beauty and lyric phrasing of a Lena Horne with those Gospel fiery roots of an Aretha Franklin, it would be Whitney Houston.
Subscribe for the occasional hand-picked quote. No noise.