This is where you see the truth of entertainment, because it is not edited. You see it on stage as it is happening. Even if we fall down or forget our words, it's a part of live entertainment.
Eartha KittRead
A lot can be said with just a look, or the way the body moves. Each song is a different character. So each song takes on a different movement of the body. And the body has to go with the subject and the attitude that you have toward that subject.
Interpretation
Nonverbal communication and bodily movement can convey deep emotions and attitudes, much like music does.
Eartha Kitt highlights the power of nonverbal expression in conveying emotions and stories, suggesting that body language and music are intricately connected. She emphasizes that each song evokes a unique character, prompting different movements and attitudes from the body, indicating how art can reflect emotions that words might not fully capture.
In practice
Using this quote during a dance workshop to illustrate the importance of body movement in performance.
This is where you see the truth of entertainment, because it is not edited. You see it on stage as it is happening. Even if we fall down or forget our words, it's a part of live entertainment.
It’s all about falling in love with yourself and sharing that love with someone who appreciates you, rather than looking for love to compensate for a self love deficit.
I'm an orphan. But the public has adopted me, and that has been my only family. The biggest family in the world is my fans.
The thing that hurts, that became anger, was when I realized that if you tell the truth, in a country that says you’re entitled to tell the truth, you get your face slapped and you get put out of work.
I have used all the manure that has been thrown on me as fertilizer to make me stronger.
Whenever I walk out on a stage, I'm begging for affection.
To allow only the kind of art that the average man understands is the worst small-mindedness and the murder of mind and spirit. It is my conviction that the intellect can be certain that in doing what most disconcerts the crowd, in pursuing the most daring, unconventional advances and explorations, it will in some highly indirect fashion serve man - and in the long run, all men.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
Poetry is either something that lives like fire inside you -- like music to the musician or Marxism to the Communist -- or else it is nothing, an empty, formalized bore around which pedants can endlessly drone their notes and explanations.
I think the fact that I grew up in show business had a real effect on my personality. If you were born in New York during the golden age of television, and you grew up on Broadway, that marks you.
The country that I was coming from, the island I was in, hadn't been written about, really. So I thought that I virtually had it all to myself, including the language that was spoken there, which was a French Creole, and a landscape that is not recorded, really, and the people.
The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world.
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