Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
Making lyrics feel natural, sit on music in such a way that you don't feel the effort of the author, so that they shine and bubble and rise and fall, is very, very hard to do. Whereas you can sit at the piano and just play and feel you're making art.
Interpretation
Creating seamless and expressive lyrics in music is a challenging task that can contrast with the more natural act of playing an instrument.
This quote by Stephen Sondheim emphasizes the difficulty of crafting lyrics that feel inherent to the music, suggesting that this seamless integration is a complex artistic endeavor. In contrast, he notes that simply playing an instrument, like a piano, can feel more instinctive and effortless, allowing the musician to express themselves freely and create art without the same level of complication.
In practice
This quote could be used in a speech about the challenges of songwriting.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
Oh! Moon of Alabama We now must say good-bye We've lost our good old mama And must have whiskey Oh, you know why!
I canβt stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life!
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
with poems one accomplishes so little when one writes them early. One should hold off and gather sense and sweetness a whole life long, a long life if possible, and then, right at the end, one could perhaps write ten lines that are good.
You have to accept as an architect to be exposed to criticism. Architecture should not rely on full harmony.
My father was a taxidermist, not a run-of-the-mill profession for a West Indian immigrant. Having given up on becoming a vet, he settled for working with dead animals rather than live ones. Dad was a true craftsman, an artist.
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