I think the main thing that affected my comedy was that my dad slept in a nightgown for most of my childhood. And it was just very funny every single night and made me realize that laughter is fun and nightgowns are cool.
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I think the main thing that affected my comedy was that my dad slept in a nightgown for most of my childhood. And it was just very funny every single night and made me realize that laughter is fun and nightgowns are cool.
The thing that bubbles up the most when I'm around other people is that I feel a joy of being alive. But I also am a very sensitive person and have many heavier feelings. It can be tiresome after a while to only do comedy, especially after you grow as a person. It starts to feel like you're playing an older version of yourself.
Don't be snarky, but don't be saccharine. Don't pander, but don't shut people out. Go straight down the line with the performance.
I don't try to do anything. I think the moment that I'm like, "Oh, I have to be this way or that way" is the moment that I become sad, or maybe an asshole. So I just try to be myself and put out what is most natural. But I think I am - I mean, I've seen a lot, been through a lot. But something remains sort of naïve within me. And I just try to nurture that.
I just want to work hard. I love that feeling.
I learned that I was able to focus. I've always thought of myself as somebody who is like either it's there or it isn't there. I really worked at this, and I focused, and I was able to replace self-doubt with focus. That was something new for me to say self-doubt is there, but it does not need to be in the front row. You can ask it to take a back seat and replace that front row seat with focus.
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