These kids at the Ali Forney Center are literally dumped by their families because of the fact that they are lesbian, gay, or transgender - this organization really is saving lives.
Bea ArthurRead
I realised I had spent the majority of my adult life doing two characters - Maude from 1972-'79 and Dorothy from 1985-'92 - and I really didn't know what I wanted to do after 'Golden Girls.' I knew what I didn't want to do - any more sitcoms, or wait for the next great role that might never come.
Interpretation
The quote reflects the struggle of an artist to find new creative directions after being defined by iconic roles.
In this quote, Bea Arthur expresses her realization that she spent a significant portion of her career embodying two well-known characters, leading to uncertainty about her future path in acting. She emphasizes her desire to break free from the sitcom format and search for more meaningful and fulfilling roles, illustrating the challenges artists face in evolving their careers beyond their past successes.
In practice
This quote can be used in an interview to discuss the challenges of typecasting in acting.
These kids at the Ali Forney Center are literally dumped by their families because of the fact that they are lesbian, gay, or transgender - this organization really is saving lives.
Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.
Style ain't nothing but keeping the same idea from beginning to end. Everybody got it.
We call those poets who are first to mark, Through earth's dull mist the coming of the dawn, Who see in twilight's gloom the first pale spark, While others only note that day is gone.
The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.
Music may be the activity that prepared our pre-human ancestors for speech communication and for the very cognitive, representational flexibility necessary to become humans.
If the work is poor, the public taste will soon do it justice. And the author, reaping neither glory nor fortune, will learn by hard experience how to correct his mistakes.
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