Has there ever been a society which has died of dissent? Several have died of conformity in our lifetime.
Jacob BronowskiRead
A man becomes creative, whether he is an artist or scientist, when he finds a new unity in the variety of nature. He does so by finding a likeness between things which were not thought alike before.
Interpretation
Creativity stems from identifying connections and similarities in the diverse elements of nature.
In this quote, Jacob Bronowski emphasizes that creativity is born from the ability to see relationships between seemingly disparate elements of the natural world. Both artists and scientists draw inspiration by recognizing underlying patterns and connections, which allows for new insights and innovations.
In practice
This quote could be used in a speech about the importance of creativity in scientific discovery.
Has there ever been a society which has died of dissent? Several have died of conformity in our lifetime.
There is no absolute knowledge. And those who claim it, whether they are scientists or dogmatists, open the door to tragedy.
To me the most interesting thing about man is that he is an animal who practices art and science and in every known society practices both together.
The values by which we are to survive are not rules for just and unjust conduct, but are those deeper illuminations in whose light justice and injustice, good and evil, means and ends are seen in fearful sharpness of outline.
The basis for poetry and scientific discovery is the ability to comprehend the unlike in the like and the like in the unlike.
The world today is made, it is powered by science; and for any man to abdicate an interest in science is to walk with open eyes towards slavery.
The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
Syncopations are no indication of light or trashy music, and to shy bricks at 'hateful ragtime' no longer passes for musical culture.
What provides you with subject matter is your own language - and that's all.
In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.
Our scribblings are usually not lyrics but whirrings, without colour or resonance, like the tone of an engine-wheel. I believe that the cause lies in the fact that when people write, they forget for the most part to dig deeply into themselves and to feel the whole import and truth of what they are writing.
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