Man has evolved a mutual relationship with nature on earth, but his power to change its surface has grown so tremendously that this may become a curse instead of a blessing.
Interpretation
Human advancements have allowed us to alter nature significantly, but this power may lead to negative consequences.
Walter Gropius highlights the paradox of human development in relation to nature. While we've cultivated a symbiotic relationship with the environment, our growing ability to manipulate it could turn into a destructive force, leading us to face unforeseen challenges and threats to our ecosystem.
In practice
In a speech about sustainable living, one could say, 'As Walter Gropius warned, our power to change nature could be a curse if not handled responsibly.'
The ultimate aim of all artistic activity is building! ... Architects, sculptors, painters, we must all get back to craft! ... The artist is a heightened manifestation of the craftsman. ... Let us form ... a new guild of craftsmen without the class divisions that set out to raise an arrogant barrier between craftsmen and artists! ... Let us together create the new building of the future which will be all in one: architecture and sculpture and painting.
A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
Architecture begins where engineering ends.
Today the arts exist in isolation, from which they can be rescued only through the conscious, cooperative effort of all craftsmen. Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts.
Good architecture should be a projection of life itself, and that implies an intimate knowledge of biological, social, technical, and artistic problems.
"Hear! hear!" screamed the jay from a neighboring tree, where I had heard a tittering for some time, "winter has a concentrated and nutty kernel, if you know where to look for it."
Experience shows that disregard for the environment always harms human coexistence, and vice versa. It becomes more and more evident that there is an inseparable link between peace with creation and peace among men.
To the eyes of the man of imagination, nature is imagination itself.
Nothing is more beautiful than the loveliness of the woods before sunrise.
Now this circumscribed power, which we have scarcely examined, scarcely studied, this power to whose actions we nearly always attribute an intention and a goal, this power, finally, that always does necessarily the same things in the same circumstances and nevertheless does so many and such admirable ones, is what we call 'nature' .
Our Lord has written the promise of resurrection, not in books alone, but in every leaf in springtime.
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