No one should approach the temple of science with the soul of a money changer.
Thomas BrowneRead
Man is a noble animal, splendid in ashes, and pompous in the grave.
Interpretation
Humans possess grandeur and dignity, even in death, reflecting on the nature of existence.
This quote by Thomas Browne suggests that the essence of humanity is inherently noble, regardless of the state of being—whether it be in life or death. It emphasizes the paradox of human existence, where one can find beauty and dignity in both the transient nature of life and the finality of death, pointing to a deeper reflection on the human condition and our legacies.
In practice
In a eulogy reflecting on a person's life achievements.
No one should approach the temple of science with the soul of a money changer.
Content may dwell in all stations. To be low but above contempt may be high enough to be happy.
Thus there are two books from whence I collect my Divinity; besides that written one of God, another of his servant Nature, that universal and public Manuscript, that lies expans'd unto the eyes of all; those that never saw him in the one, have discovered him in the other.
To be content with death may be better than to desire it.
Life itself is but the shadow of death, and souls departed but the shadows of the living.
The long habit of living indisposeth us for dying.
Tho' there be no such Thing as Chance in the World; our Ignorance of the real Ccause of any Event has the same Influence on the Understanding, and begets a like Species of Belief or Opinion.
I can well imagine an athiest's last words: "White, white! L-L-Love! My God!" - and the deathbed leap of faith. Whereas the agnostic, if he stays true to his reasonable self, if he stays beholden to dry, yeastless factuality, might try to explain the warm light bathing him by saying "Possibly a f-f-failing oxygenation of the b-b-brain," and, to the very end, lack imagination and miss the better story.
I am able to follow my own death step by step. Now I move softly towards the end.
I don't go by my caste, creed or religion. My works speak for me.
It’s a sort of furtiveness … Like we were a generation of furtive. You know, with an inner knowledge there’s no use flaunting on that level, the level of the ‘public’, a kind of beatness – I mean, being right down to it, to ourselves, because we all really know where we are – and a weariness with all the forms, all the conventions of the world … It’s something like that. So I guess you might say we’re a beat generation.
Perhaps I'm old and tired, but I always think that the chances of finding out what really is going on are so absurdly remote that the only thing to do is to say hang the sense of it and just keep yourself occupied.
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