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There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.
George A. Romero
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Interpretation

What this quote means

Creating films involves complex emotions, making it hard to view one's work objectively for some time.

In this quote, George A. Romero reflects on the emotional journey filmmakers go through when creating movies. He notes that while a film is a collaborative effort filled with personal connections, it can become difficult for a filmmaker to appreciate their completed work due to the high standards and flaws they perceive in it. Over time, however, this emotional distance allows them to assess their creation more fairly and forgive its imperfections.

Themes

FilmmakingObjectivityCreativityEmotionsCollaboration

In practice

Example use cases

During a film industry panel discussion, a director might reference this quote when discussing the challenges of evaluating their own work.

More from George A. Romero

I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them.
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Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
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I've always felt that the real horror is next door to us, that the scariest monsters are our neighbors.
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My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
George A. RomeroRead
I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
George A. RomeroRead
There aren't that many monsters. It's very hard to create a new monster.
George A. RomeroRead

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