There are only so many movies you can direct. And yet there are movies that I want to make sure make it to the screen in as honest a way as possible.
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And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
I want my movies to be audience experiences. As much as I like Michael Haneke, I'm not going to make a Haneke film. That's just not in my DNA.
As far as writing, I like watching bad movies. Nothing stops me in my tracks more than watching a great film like 'The Godfather' or 'Dog Day Afternoon' or 'The Graduate.' You watch one of those, and you never want to write again. Whereas with bad movies, it makes you think, If that counts, I certainly could write.
I went to college, I went pre-med, I thought I was going to be a doctor.
And over the course of the last six years, as I've directed more features and commercials, I've become better at articulating exactly how I want the audience to feel.
Humanizing good people is kind of boring and I don't really see the value in it... humanizing tricky characters is exhilarating, and making audience films out of indie subjects excites me.
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