So many stories, and to choose which ones to tell and how to tell them. The words, they will tap me on the shoulder and they will speak to me: 'Tell me! Tell me!' The stories choose me.
Interpretation
This quote highlights the intimate relationship between a storyteller and their stories, emphasizing that stories have a life of their own that guides the telling process.
Eduardo Galeano reflects on the art of storytelling, suggesting that the stories we choose to share are not merely selected by us but rather beckon to us from within. This perspective illustrates the deep connection between a storyteller and their narratives, implying that the most compelling stories naturally demand to be told and shape the storyteller's journey.
In practice
In a workshop on writing creativity, one might say this quote to inspire participants on the importance of listening to their narrative instincts.
Utopia is on the horizon. I move two steps closer; it moves two steps further away. I walk another ten steps and the horizon runs ten steps further away. As much as I may walk, I'll never reach it. So what's the point of utopia? The point is this: to keep walking.
It is highly improbable that the bureaucrat will put his life on the line. It is absolutely impossible that he'll put his job on the line.
We live in a world that treats the dead better than the living. We, the living are askers of questions and givers of answers, and we have other grave defects unpardonable by a system that believes death, like money, improves people.
History never really says goodbye. History says, 'See you later.'
The more freedom is extended to business, the more prisons have to be built for those who suffer from that business.
Utopia lies at the horizon. When I draw nearer by two steps, it retreats two steps. If I proceed ten steps forward, it swiftly slips ten steps ahead. No matter how far I go, I can never reach it. What, then, is the purpose of utopia? It is to cause us to advance.
When one lives in a society where people can no longer rely on the institutions to tell them the truth, the truth must come from culture and art.
I never see the whips niggas be claimin' they drivin,_x000D_ _x000D_ I guess 'entertainment' means blatantly lyin'.
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
People try to pigeonhole comics by saying they're just for kids. So is The Odyssey. So is the Labors of Hercules, the story of Fa Mulan. The advantage of those stories over the contemporary ones is that they've had 2,000 years of editing. All the crap has been weeded out over time.
The sound and music are 50% of the entertainment in a movie.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you canβt make anything.
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