The best camera is the one you have with you.
Jay MaiselRead
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
Interpretation
Creating art requires physical involvement and exploration to capture the desired image.
Jay Maisel emphasizes that photography is not just about the act of clicking a camera, but also about the journey and effort needed to find the perfect shot. It involves physically immersing oneself in different locations to discover distinct perspectives, which can enhance one's creativity and understanding of the art form.
In practice
During a photography workshop, the instructor quoted Jay Maisel to encourage students to explore their surroundings more physically.
The best camera is the one you have with you.
The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
If you want to make more interesting pictures, become a more interesting person.
I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
Presence is far more intricate and rewarding an art than productivity.
Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
Each period of a civilisation creates an art that is specific in it and which we will never see reborn. To try and revive the principles of art of past centuries can lead only to the production of stillborn works.
Writing stories is my way of scratching that itch: my escape from the claustrophobia of individuality. It lets me, at least for a while, live more than one life, walk more than one path. Reading, of course, can do the same.
I didn’t know that painters and writers retired. They’re like soldiers – they just fade away.
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