Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
Interpretation
Good art comes from the thoughtful and passionate effort of the artist, not just the precision of technique.
This quote by Oscar Wilde emphasizes that the essence of true art lies in the emotional and intellectual engagement of the artist rather than mere technical skill. It suggests that while machines can replicate tasks with precision, the heart and mind of the artist are indispensable in creating something meaningful and profound, infusing the work with creativity and authenticity.
In practice
This quote can be used during an art class to inspire students to put their heart into their projects.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Writers kid themselves-about themselves and other people. Take the talk about writing methods. Writing is just work-there's no secret. If you dictate or use a pen or type with your toes-it is just work.
I don't usually give out advice or recipes, but you must let the person looking at the photograph go some of the way to finishing it. You should offer them a seed that will grow and open up their minds.
The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.
The reality of a poem is a very ghostly one. It suggests, it suggests, it suggests again.
Outlines are the last resource of bad fiction writers who wish to God they were writing masters' theses.
Sometimes I do get to places just when God's ready to have somebody click the shutter.
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