Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.
Fyodor DostoevskyRead
It was a marvelous night, the sort of night one only experiences when one is young. The sky was so bright, and there were so many stars that, gazing upward, one couldn't help wondering how so many whimsical, wicked people could live under such a sky.
Interpretation
The quote reflects on the beauty of youth and the contrasting nature of humanity.
In this quote, Fyodor Dostoevsky captures the essence of a wondrous night filled with stars, symbolizing the beauty and innocence of youth. The imagery evokes a sense of wonder while simultaneously pondering the complexities of human nature, suggesting that even amidst beauty, there exist many flawed individuals living their lives beneath the same sky.
In practice
During a graduation speech, one could use this quote to reflect on the beauty and innocence of youth.
Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.
What if, when this fog scatters and flies upward, the whole rotten, slimey city goes with it, rises with the fog and vanishes like smoke.
Love the animals: God has given them the rudiments of thought and joy untroubled.
Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you perceive it, you will begin to comprehend it better every day. And you will come at last to love the whole world with an all-embracing love.
But do you understand, I cry to him, do you understand that if you have the guillotine in the forefront, and with such glee, it's for the sole reason that cutting heads off is the easiest thing, and having an idea is difficult!
...to return to their 'native soil,' as they say, to the bosom, so to speak, of their mother earth, like frightened children, yearning to fall asleep on the withered bosom of their decrepit mother, and to sleep there for ever, only to escape the horrors that terrify them.
My father left me with the feeling that I had to live for two people, and that if I did it well enough, somehow I could make up for the life he should have had. And his memory infused me, at a younger age than most, with a sense of my own mortality. The knowledge that I, too, could die young drove me both to try to drain the most out of every moment of life and to get on with the next big challenge. Even when I wasn't sure where I was going, I was always in a hurry.
Let's face the music and dance.
One of the things I've learnt is not to depend on there being a woman in your life to make it work. I love my work, I love my children, I've got wonderful friends, you know, I have a nice life.
The birds sang, the proles sang. the Party did not sing. All round the world, in London and New York, in Africa and Brazil, and in the mysterious, forbidden lands beyond the frontiers, in the streets of Paris and Berlin, in the villages of the endless Russian plain, in the bazaars of China and Japan — everywhere stood the same solid unconquerable figure, made monstrous by work and childbearing, toiling from birth to death and still singing.
When faith did come, it came, I think, by way of my little paralyzed daughter. Her lifeless hands led me; I think her tiny feet still know beautiful paths.
Looking at suicide—the sheer numbers, the pain leading up to it, and the suffering left behind—is harrowing. For every moment of exuberance in the science, or in the success of governments, there is a matching and terrible reality of the deaths themselves: the young deaths, the violent deaths, the unnecessary deaths
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