Laugh at yourself, but don't ever aim your doubt at yourself. Be bold. When you embark for strange places, don't leave any of yourself safely on shore. Have the nerve to go into unexplored territory.
Alan AldaRead
No matter how big the audience is going to be. I'm interested in doing things that are fun.
Interpretation
The quote emphasizes the importance of enjoying one's work regardless of the audience size.
Alan Alda's quote highlights the value of pursuing passion and fun in oneβs creative endeavors rather than being overly concerned with the size of the audience. It suggests that the joy of creating is more significant than external validation, encouraging individuals to focus on their own enjoyment in the process.
In practice
In a speech about pursuing creativity, one might quote Alda to inspire the audience to focus on enjoyment.
Laugh at yourself, but don't ever aim your doubt at yourself. Be bold. When you embark for strange places, don't leave any of yourself safely on shore. Have the nerve to go into unexplored territory.
Begin challenging your own assumptions. Your assumptions are your windows on the world. Scrub them off every once in awhile, or the light won't come in.
Laugh at yourself, but don't ever aim your doubt at yourself.
Here's my Golden Rule for a tarnished age: Be fair with others, but keep after them until they're fair with you.
If you know what you're looking for, that's all you'll get - what's previously known. But when you're open to what's possible, you get something new - that's creativity.
I found I wasn't asking good enough questions because I assumed I knew something. I would box them into a corner with a badly formed question, and they didn't know how to get out of it. Now, I let them take me through it step by step, and I listen.
Nonsense and beauty have close connections.
I want you to see me naked and performing one or two dozen mad acts, which will take me less than half an hour, because if you have seen them with your own eyes, you can safely swear to any others you might wish to add.
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character.
There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.
The good qualities in our soul are most successfully and forcefully awakened by the power of art. Just as science is the intellect of the world, art is its soul.
Subscribe for the occasional hand-picked quote. No noise.