No matter how physically faint, a photograph involuntarily whisper of something exquisitely carnal. The weeks, the years, whatever stretches of time separating our present from the photographs retire into the transparence of the shot and seem erased by it. We almost have to shake ourselves to overcome the feeling that we peer out at the other place, in that different age. Yet we are always aware of this illusory dislocation, for such is the ambiguity, in principle, that seduces us over and over again in the photographic experience.
Though infested with many bewildering anomalies, photographs are considered our best arbiters between our visual perceptions and the memory of them. … - Max Kozloff
Though infested with many bewildering anomalies, photographs are considered our best arbiters between our visual perceptions and the memory of them. …
- Max Kozloff
Faces in the everyday impress us as hives of subtlety. That impression must be sharpened in photography, which discloses only a microsecond of the fa… - Max Kozloff
Faces in the everyday impress us as hives of subtlety. That impression must be sharpened in photography, which discloses only a microsecond of the fa…
No matter how physically faint, a photograph involuntarily whisper of something exquisitely carnal. The weeks, the years, whatever stretches of time … - Max Kozloff
No matter how physically faint, a photograph involuntarily whisper of something exquisitely carnal. The weeks, the years, whatever stretches of time …
We perceive and interpret the outer world through a set of incredibly fine internal receptors. But we are incapable, by ourselves, of grasping or twe… - Max Kozloff
We perceive and interpret the outer world through a set of incredibly fine internal receptors. But we are incapable, by ourselves, of grasping or twe…
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