They're ugly, but those are the facts of life.
Maycomb was a tired old town, even in 1932 when I first knew it. Somehow, it was hotter then. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon after their three o'clock naps, and by nightfall were like soft teacakes with frosting from sweating and sweet talcum. The day was twenty-four hours long, but it seemed longer. There's no hurry, for there's nowhere to go and nothing to buy... and no money to buy it with.
Interpretation
What this quote means
This quote reflects on the stifling atmosphere of a town and the slow pace of life during the Great Depression.
In this quote from Harper Lee's 'To Kill a Mockingbird', the author paints a vivid picture of Maycomb, a town that embodies the weight of time and the stagnation of its people during a challenging era. The descriptions portray the heat and lethargy that characterize daily life, highlighting a sense of resignation and the absence of progress or opportunity. The imagery evokes a feeling of discomfort and monotony, as well as an understanding of how economic hardship can affect daily existence and community dynamics.
Themes
In practice
Example use cases
In a discussion about small towns and their evolution, one might quote this to illustrate how economic conditions shape communal life.
More from Harper Lee
All quotes →It's better to be silent than to be a fool.
Don’t talk like that, Dill,” said Aunt Alexandra. “It’s not becoming to a child. It’s – cynical.” “I ain’t cynical, Miss Alexandra. Tellin’ the truth’s not cynical, is it?” “The way you tell it, it is.
With him, life was routine; without him, life was unbearable.
He turned out the light and went into Jem's room. He would be there all night, and he would be there when Jem waked up in the morning.
You can choose your friends but you sho' can't choose your family, an' they're still kin to you no matter whether you acknowledge 'em or not, and it makes you look right silly when you don't.
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Necessity has the face of a dog.
I think the best analogy for where we are right now is that America is Elvis Presley -- the most beautiful, talented, rebellious nation in the history of Earth. And now, you're in your Vegas years. You've squeezed yourself into a white jumpsuit, you're wheezing your way through 'Love Me Tender' and you might be about to pass away bloated on the toilet. But you're still the King.
In whatever guise - our own daily nightmares of war, intolerance, inhumanity or the struggles of an Assistant Pig-Keeper against the Lord of Death - the problems are agonizingly familiar. And an openness to compassion, love, and mercy is as essential to us here and now as it is to any inhabitant of an imaginary kingdom.
So I should be aware of the dangers of self-consciousness, but at the same time, I’ll be plowing through the fog of all these echoes, plowing through mixed metaphors, noise, and will try to show the core, which is still there, as a core, and is valid, despite the fog. The core is the core is the core. There is always the core, that can’t be articulated. Only caricatured.
The moment good taste knows itself, some of its goodness is lost.
I have been a wanderer among distant fields. I have sailed down mighty rivers.