There is no feeling, except the extremes of fear and grief, that does not find relief in music.
T. S. EliotRead
Mediocre writers borrow; great writers steal.
Interpretation
This quote suggests that exceptional writers take inspiration from existing works rather than merely imitating them.
T. S. Eliot's quote highlights the distinction between mediocre and great writers in their approach to creativity. While mediocre writers might merely borrow ideas, great writers absorb influences, transform them, and create something new and original. This process of 'stealing' is about understanding the essence of existing works and reinventing them in one's unique voice, thereby advancing the art of writing.
In practice
In a writing workshop, when discussing originality, one might quote T. S. Eliot to inspire students to embrace their influences.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them all— Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
In the faint moonlight, the grass is singing
Writing well involves walking the path of most resistance. Sitting still, being patient, allowing the lunatic dream to take shape on the page, then the shaping, the pencil on the page, breathing, slowing down, being willing–no, more than willing, being wide open–to press the bruise until it blossoms.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
'Brown Girl Dreaming' was a book I had a lot of doubts about - mainly, would this story be meaningful to anyone besides me? My editor, Nancy Paulsen, kept assuring me, but there were moments when I was in a really sad place with the story for so many reasons. It wasn't an easy book to write - emotionally, physically, or creatively.
My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
Mime, like music, knows neither borders nor nationalities.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
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