Maggie, we're through with lies and liars in this house. Lock the door.
Tennessee WilliamsRead
Being a memory play, it is dimly lighted, it is sentimental. It is not realistic.
Interpretation
The quote reflects on the nature of memory and how it influences the representation of experiences.
Tennessee Williams highlights that a 'memory play' is characterized by its soft, sentimental lighting and its departure from realism. This implies that such plays explore the emotional landscapes of characters' recollections rather than presenting events as they truly occurred, emphasizing the subjective nature of memory and its role in shaping our understanding of the past.
In practice
In a discussion on modern theater, one might quote Williams to illustrate how memory shapes narrative.
Maggie, we're through with lies and liars in this house. Lock the door.
Time rushes towards us with its hospital tray of infinitely varied narcotics, even while it is preparing us for its inevitably fatal operation.
Show me a person who hasn´t known any sorrow and I´ll show you a superficial.
Success and failure are equally disastrous.
The rest of my days I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of? I shall die of eating an unwashed grape. One day out on the ocean I will die — with my hand in the hand of some nice-looking ship's doctor, a very young one with a small blond moustache and a big silver watch.
Life is partly what we make it, and partly what it is made by the friends we choose.
Actually, documentary pictures include every subject in the world - good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
The most important message is to let me just focus on making the most beautiful normcore clothes, but as luxurious as possible.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
In my case, the body of work stands for itself... I think my work has been representative of me as a man.
People will never understand the patience a photographer requires to make a great photograph, all they see is the end result. I can stand in front of a leaf with a dew drop, or a rain drop, and stay there for ages just waiting for the right moment. Sure, people think I'm crazy, but who cares? I see more than they do!
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