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Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind.
Virginia Woolf
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Interpretation

What this quote means

Memory is unpredictable and influences our perception of ordinary moments.

In this quote, Virginia Woolf reflects on the nature of memory as both a fabricator and a disruptor of our experiences. She metaphorically describes memory as a seamstress, deftly stitching together moments from our past, which can suddenly surface and disrupt the flow of a mundane task, revealing the chaotic and complex nature of our recollections—a blend of clarity and confusion, much like a family’s laundry flapping wildly in the wind.

Themes

MemoryPerceptionRecollectionExperienceChaos

In practice

Example use cases

During a lecture on the complexities of human psychology, one might reference this quote to illustrate the unpredictable nature of memory.

More from Virginia Woolf

I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
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Death is woven in with the violets,” said Louis. “Death and again death.”)
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He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
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I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
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I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
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London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
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