A dream has power to poison sleep.
Percy Bysshe ShelleyRead
The mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power arises from within...could this influence be durable in its original purity and force, it is impossible to predict the greatness of the result; but when composition begins, inspiration is already on the decline; and the most glorious poetry that has been communicated to the world is probably a feeble shadow of the original conceptions of the poet.
Interpretation
Inspiration is fleeting and can fade quickly; the true power of creativity comes from within and is often lost in the act of creation.
This quote by Percy Bysshe Shelley suggests that the creative process is often influenced by an ephemeral spark of inspiration, akin to a coal that can ignite brightly but ultimately fades. Shelley implies that the purest and most potent ideas may diminish once they are put into form, especially through poetry, leading to a final result that may not fully embody the original vision or potential of the artist's thoughts.
In practice
A writer might quote this to inspire fellow authors at a literary conference.
A dream has power to poison sleep.
Senseless is the breast and cold _x000D_ _x000D_ Which relenting love would fold;_x000D_ _x000D_ Bloodless are the veins and chill _x000D_ _x000D_ Which the pulse of pain did fill; _x000D_ _x000D_ Every little living nerve _x000D_ _x000D_ That from bitter words did swerve _x000D_ _x000D_ Round the tortur'd lips and brow, _x000D_ _x000D_ Are like sapless leaflets now _x000D_ _x000D_ Frozen upon December's bough.
A sensitive plant in a garden grew,_x000D_ _x000D_ And the young winds fed it with silver dew,_x000D_ _x000D_ And it opened its fan_x000D_ _x000D_ like leaves to the light,_x000D_ _x000D_ and closed them beneath the kisses of night.
I am the daughter of Earth and Water, And the nursling of the Sky; I pass through the pores of the ocean and shores; I change, but I cannot die. For after the rain when with never a stain The pavilion of Heaven is bare, And the winds and sunbeams with their convex gleams Build up the blue dome of air, I silently laugh at my own cenotaph, And out of the caverns of rain, Like a child from the womb, like a ghost from the tomb, I arise and unbuild it again.
O, wind, if winter comes, can spring be far behind?
Ah, woe is me! Winter is come and gone. But grief returns with the revolving year.
Sometimes I sound like gravel, and sometimes I sound like coffee and cream.
Music is the perfect type of art.
I've always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That's why I'm more interested now in creating new heroes than hooking up jumper cables to old ones.
I love borders. August is the border between summer and autumn; it is the most beautiful month I know. Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing: when both have fallen in love but still haven't said anything. The border is to be on the way. It is the way that is the most important thing.
I happen to go for the simplest, most ordinary things. The extraordinary doesn't interest me. I'm not interested in psychotics. I'm interested in the person you don't expect to have a story. I like Everyman.
Boredom is not an end-product, is comparatively rather an early stage in life and art. You've got to go by or past or through boredom, as through a filter, before the clear product emerges.
Subscribe for the occasional hand-picked quote. No noise.