I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
Miscegenation is not an idea that we would have in the Caribbean. It wouldn't come up because anybody could marry anybody, you know. I'm not saying that there aren't prejudices in the Caribbean, but the idea of the word 'miscegenation' is not something that we think of.
Interpretation
The quote emphasizes acceptance and lack of racial boundaries in Caribbean relationships.
Derek Walcott's quote reflects the cultural context of the Caribbean, where inter-racial relationships are widely accepted, and the historical notion of 'miscegenation' does not hold the same significance as in other societies. While prejudices may exist, the Caribbean’s social fabric allows for a more inclusive approach to love and partnership, demonstrating an openness to marrying across racial and ethnic lines.
In practice
In a speech promoting multiculturalism, one might reference this quote to highlight the Caribbean's acceptance of diversity.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
I don't care if you're black, white, short, tall, skinny, rich or poor. If you respect me I'll respect you
Our greatest heart-treasure is a knowledge that there is in creation an individual to whom our existence is necessary - some one who is part of our life as we are part of theirs, some one in whose life we feel assured our death would leave a gap for a day or two.
In everyone's life, at some time, our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful for those people who rekindle the inner spirit.
Mothers and daughters find in each other the source of great comfort but also of great pain. We talk to each other in better and worse ways than we talk to anyone else.
Part of the puzzle, surely, lies in the disconnect between official rhetoric and lived realities. Americans are constantly extolling “traditions”; litanies to family values are at the center of every politician’s discourse. And yet the culture of America is extremely corrosive of family life, indeed of all traditions except those redefined as “identities” that fit in the larger patterns of distinctiveness, cooperation, and openness to innovation.
I don’t care about anyone, and the feeling is quite obviously mutual.
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