It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Mark RothkoRead
Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
Interpretation
The quote expresses the pain and complexity of artistic creation, as well as the burden of the audience's interpretation and value of the art.
Mark Rothko highlights the dual nature of art as both a personal struggle and a shared experience. The artist conveys his own anguish in creating the artwork, while also pointing out that the viewer's emotional connection to it can be equally challenging. The mention of a monetary price underscores the commercialization of art and raises questions about the value we place on emotional experiences through art.
In practice
This quote can be used in an art class to discuss the emotional aspects of art.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
I consciously think about the ethnicity of every character that I create and cast. But one thing that is equally important is quality representation. It's not enough to put an African-American in there, a female in there, a gay character in there: How significant is their contribution? Can they drive the story?
I have to be composed; I have to be poised. I have to remember what my first piano teacher told me: 'You do not touch that piano until you are ready and until they are ready to listen to you.
Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
The truer the facts the better the fiction.
This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue.
The violinist is that peculiarly human phenomenon distilled to a rare potency - half tiger, half poet.
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