Perseverance has kept me going over the years. Things rarely happen overnight. Filmmakers should be prepared for many years of hard work. The sheer toil can be healthy and exhilarating.
For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.
Interpretation
What this quote means
The quote reflects on the struggle between creativity and self-preservation, examining the potential destructive nature of one's ambitions.
Werner Herzog's quote delves into the internal conflict faced by creators and visionaries as they pursue their passions. It captures a moment of introspection where the speaker grapples with the fear that their aspirations may lead to self-destruction. However, amidst this turmoil, an acknowledgment of the simple fact of existence—'I was still breathing'—provides a sense of comfort and resilience, suggesting that self-awareness and reflection can mitigate the potential perils of one's ambitions.
Themes
In practice
Example use cases
In a motivational speech about pursuing dreams, one might use this quote to highlight the internal struggles artists face.
More from Werner Herzog
All quotes →Hold firm to your vision but don't be a tyrant on set.
Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
Without dreams we would be cows in a field, and I don't want to live like that. I live my life or I end my life with this project.
Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix If you get used to planning your shots based solely on aesthetics, you are never that far from kitsch.
Martin Luther was asked, what would you do if tomorrow the world would come to an end, and he said, 'I would plant an apple tree today.' This is a real good answer. I would start shooting a movie.
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The history of empires is the record of human misery; the history of the sciences is that of the greatness and happiness of mankind.
In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight.
Sometimes people leave you halfway through the wood. Others may decieve you - you decide what's good. You decide alone, but no one is alone. People make mistakes. Fathers, mothers, people make mistakes, holding to their own, thinking they're alone. Honor their mistakes. Fight for their mistakes. Witches can be right. Giants can be good. You decide what's right. You decide what's good.
Culture is just a shambling zombie that repeats what it did in life; bits of it drop off, and it doesn't appear to notice.
Institutions develop because people put a lot of trust in them, they meet real needs, they represent important aspirations, whether it's monasteries, media, or banks, people begin by trusting these institutions, and gradually the suspicion develops that actually they're working for themselves, not for the community.