Among writers, if you don't have a therapist, it's like saying you don't keep a journal or use the thesaurus. It's a natural accompaniment.
Amy TanRead
We all hate moral ambiguity in some sense, and yet it is also absolutely necessary. In writing a story, it is the place where I begin.
Interpretation
Moral ambiguity is disliked yet essential for storytelling.
Amy Tan highlights the paradox of moral ambiguity, emphasizing that while it can be uncomfortable, it is a crucial element in storytelling. This complexity allows writers to explore deeper truths about human experience and the challenges of navigating ethical dilemmas, which enriches the narrative and resonates with readers.
In practice
During a workshop on creative writing, I shared a quote by Amy Tan to highlight the importance of moral complexity in narratives.
Among writers, if you don't have a therapist, it's like saying you don't keep a journal or use the thesaurus. It's a natural accompaniment.
Her education only made her unhappy thinking about it - that no matter how much she changed her life, she could not change the world that surrounded her.
You can't have intentions without consequences. The question is, who pays for the consequences? Saving fish from drowning. Same thing. Whoβs saved? Whoβs not?
I am fascinated by language in daily life: the way it can evoke an emotion, a visual image, a complex idea, or a simple truth.
Even if I had expected it, even if I had known what I was going to do with my life, it would have knocked the wind out of me. When something that violent hits you, you can't help but lose your balance and fall. And after you pick yourself up, you realize you can't trust anybody to save you- not your husband, not your mother, not God. So what can you do to stop yourself from tilting and falling all over again?
And for all those years, we never talked about the disaster at the recital or my terrible accusations afterward at the piano bench. All that remained unchecked, like a betrayal that was now unbreakable. So I never found a way to ask her why she had hoped something so large that failure was inevitable. And even worse, I never asked her what frightened me the most: Why had she given up hope?
Therefore the Sage embraces Unity, and is a model for all under Heaven. He is free from self-display, therefore he shines forth; from self-assertion, therefore he is distinguished; from self-glorification, therefore he has merit; from self-exaltation, therefore he rises superior to all. Inasmuch as he does not strive, there is no one in the world who can strive with him.
Remember this: once the human race is established on more than one planet and especially, in more than one solar system, there is no way now imaginable to kill off the human race.
That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain't I a woman?
Please explain to me what being an icon is. How do you define it? I haven't been given a script. I don't know what the dialogues of an icon are.
The adult is the enemy of the child because of the awful process of civilizing this thing that, when it is born, is an animal with no manners, no moral sense at all.
The practice is to make the non-arising of grasping and clinging absolute, final, and eternally void, so that no grasping and clinging can ever return. Just that is enough. There is nothing else to do.
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