This morning I understand what it means to die: when we disappear, it is the others who die for us, for here I am, lying on a cold pavement and it is not the dying I care about; it has no more meaning this morning that it did yesterday. But never again will I see those I love, and if that is what dying is about then it really is the tragedy they say it is.
Interpretation
The quote reflects on the profound impact of death, emphasizing the sorrow of leaving loved ones behind rather than the act of dying itself.
In this quote, Muriel Barbery poignantly articulates the essence of dying as not merely the physical end of life, but the emotional aftermath and sorrow it brings to those we cherish. The speaker contemplates the cold indifference of death in terms of personal suffering, highlighting that the true tragedy lies in the loss experienced by loved ones who are left to mourn. This perspective reveals a deep understanding of interconnectedness and the emotional weight of farewell.
In practice
During a eulogy, one might reflect on the theme of love lasting beyond death using this quote.
Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.
But many intelligent people have a sort of bug: they think intelligence is an end in itself. They have one idea in mind: to be intelligent, which is really stupid. And when intelligence takes itself for its own goal, it operates very strangely: the proof that it exists is not to be found in the ingenuity or simplicity of what it produces, but in how obscurely it is expressed.
Sashimi is velvet dust, verging on silk, or a bit of both, and the extraordinary alchemy of its gossamer essence allows it to preserve a milky density unknown even by clouds.... my cheeks recalled the effects of its profound caress.
If, in our world, there is any chance of becoming the person you haven't yet become...will I know how to seize that chance, turn my life into a garden that will be completely different from my forebears'?
Because beauty consists of its own passing, just as we reach for it. It's the ephemeral configuration of things in the moment, when you can see both their beauty and their death.
There's so much humanity in a love of trees, so much nostalgia for our first sense of wonder, so much power in just feeling our own insignificance when we are surrounded by nature...yes, that's it: just thinking about trees and their indifferent majesty and our love for them teaches us how ridiculous we are - vile parasites squirming on the surface of the earth - and at the same time how deserving of life we can be, when we can honor this beauty that owes us nothing.
And I can't be running back and fourth forever between grief and high delight.
Old people whimper, and cry, and belch, and make great hollow rumbling sounds at table; old people wake up in the middle of the night screaming, and find out they haven't even been asleep; and when old people are asleep, they try to wake up, and they can't... not for the longest time.
I think your whole life shows in your face and you should be proud of that.
Struggling and suffering are the essence of a life worth living. If you're not pushing yourself beyond the comfort zone, if you're not demanding more from yourself - expanding and learning as you go - you're choosing a numb existence. You're denying yourself an extraordinary trip.
You really didn't see the sadness or the longing unless you already knew it was there. But that was the trick, wasn't it? Everyone had their disappointment and their baggage; only, some people carried it in their inside pockets and not on their backs.
I wish I were a girl again, half-savage and hardy, and free.
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