Go forward with joyful confidence.
George EliotRead
I think I should have no other mortal wants, if I could always have plenty of music.
Interpretation
The quote expresses the idea that the joy and fulfillment derived from music can outweigh all other worldly desires.
Here, George Eliot emphasizes the profound impact that music can have on human emotions and well-being. The sentiment suggests that if one can experience an abundance of music in their life, they may find that other material or mortal desires become less significant, showcasing music's power as a source of happiness and satisfaction.
In practice
This quote can be shared at a music festival to highlight the power of music.
Go forward with joyful confidence.
You must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well.
She thought it was part of the hardship of her life that there was laid upon her the burthen of larger wants than others seemed to feel β that she had to endure this wide hopeless yearning for that something, whatever it was, that was greatest and best on this earth.
Life seems to go on without effort when I am filled with music.
I think I should have no other mortal wants, if I could always have plenty of music. It seems to infuse strength into my limbs and ideas into my brain. Life seems to go on without effort, when I am filled with music.
Our dead are never dead to us until we have forgotten them: they can be injured by us, they can be wounded; they know all our penitence, all our aching sense that their place is empty, all the kisses we bestow on the smallest relic of their presence.
It's hard to be surprised by a film. It's hard to be surprised by another actor or by a director when you've seen enough and been around. So when I am, or when I forget that I'm watching someone's movie, or when I don't know how someone made a certain turn that I didn't expect . . . You know, I'm in.
I view my hair and clothes as functional art.
In vain have oceans been squandered on you, in vain the sun, wonderfully seen through Whitmanβs eyes. You have used up the years and they have used up you, and still, and still, you have not written the poem.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
I think of childhood as an explosion of creativity. For most people, growing up and earning a living means leaving all that behind. But an artist never leaves that behind. Edwin Mullhouse was my way of exploring the child as artist and, under the guise of childhood, something larger.
Poetry is rather an approach to things, to life, than it is typographical production.
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