My mother always told me, even if a song has been done a thousand times, you can still bring something of your own to it. I'd like to think I did that.
Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby,' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.
I figured I could do "It's A Man's, Man's, Man's World" because I believe it's the truth.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
The only time that I am really truly happy—when I feel at my best—is when I'm on the stage.
When I'm singing the blues, I'm singing life.
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