Don't sit as if you have nothing to say. You should be bursting with things to say. You just choose at this particular place and time, not to say them.
Michael CaineRead
Movie actors earn their living and learn their craft through listening and reacting.
Interpretation
Movie actors develop their skills by being attentive and responsive to others.
In this quote, Michael Caine emphasizes the importance of active listening and engagement in the craft of acting. He suggests that true mastery in acting comes not just from practicing lines but from understanding and reacting to fellow performers, demonstrating that collaboration and emotional intelligence are essential components of the art form.
In practice
During a drama workshop, a mentor might use this quote to encourage students to listen more intently to their scene partners.
Don't sit as if you have nothing to say. You should be bursting with things to say. You just choose at this particular place and time, not to say them.
My view of actors is that basically they're all harmless lunatics who'd be on the psychiatrist's couch, except that we get this sort of catharsis every six months or so, and we go and be absolutely someone else.
I am a great admirer of other actors, but I never compete with other actors. I always compete with what I did last, and I'm my own most vicious critic. So I'm always trying to do it better.
Hollywood is a cross between a health farm, a recreation center and an insane asylum. It's a company town, and I happen to like the company!
My wife comes with me on all the movies, but she is not an appendage to a film star or anything like that. She is a completely intertwined partner. She is the other half of me. Also, we're still very much in love with each other. We always have been, we always will be.
About Superman and Batman: the former is how America views itself, the latter, darker character is how the rest of the world views America.
I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
Syncopations are no indication of light or trashy music, and to shy bricks at 'hateful ragtime' no longer passes for musical culture.
There is an angel imprisoned in it and I must set it free.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
From 1968 on, I was pretty much the black, gay SF writer.
The role of a museum of modern art is to make a good selection and identify what we believe to be the coming movements, and that requires taste.
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