Reading is the unbelievably healthy way _x000D_ my attention deficit disorder medicates itself. _x000D_ Reading is escape, and the opposite of escape; it's a way to _x000D_ make contact with reality after a day of making things up.
Nora EphronRead
I just want to go on making movies, and some of them will be completely meaningless, except, of course, to me.
Interpretation
The quote emphasizes the personal significance of art, regardless of its perceived value to others.
Nora Ephron expresses a sentiment about the intrinsic value of creating art, particularly movies, that may be deemed meaningless by others but hold deep personal importance to the creator. This highlights the subjective nature of art and the notion that the act of creation itself is fulfilling, irrespective of external validation.
In practice
During a film festival, you might use this quote to introduce your latest project.
Reading is the unbelievably healthy way _x000D_ my attention deficit disorder medicates itself. _x000D_ Reading is escape, and the opposite of escape; it's a way to _x000D_ make contact with reality after a day of making things up.
Reading makes me feel I've accomplished something, learned something, become a better person. ... Reading is bliss.
Every so often I would look at my women friends who were happily married and didn't cook, and I would always find myself wondering how they did it. Would anyone love me if I couldn't cook? I always thought cooking was part of the package: Step right up, it's Rachel Samstat, she's bright, she's funny and she can cook!
Marriages come and go, but divorce is forever.
What I love about cooking is that after a hard day, there is something comforting about the fact that if you melt butter and add flour and then hot stock, it will get thick! It's a sure thing! It's a sure thing in a world where nothing is sure; it has a mathematical certainty in a world where those of us who long for some kind of certainty are forced to settle for crossword puzzles.
I go through periods where I work a great deal at all hours of the day whenever I am around a typewriter, and then I go through spells where I don't do anything. I just sort of have lunch - all day. I never have been able to stick to a schedule. I work when there is something due or when I am really excited about a piece.
I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.
And I'll bury my soul in a scrapbook, with the photographs there and the moths.
When it is working, you completely go into another place, you're tapping into things that are totally universal, completely beyond your ego and your own self. That's what it's all about.
All you're trying to do in an improvisation is get as much material as possible for the editing room.
To sing of Wars, of Captains, and of Kings/Of Cities founded, Common-wealths begun/For my mean Pen are too superior things.
I read every book there was on jazz, about the original players - King Oliver, Buddy Bolden and all those groups. At one time I was fairly well schooled in that... I could tell you who played where and when, historically, way before my time.
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