My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way, whether it's the thought of the song or whether it's the approach to the arrangement or anything.
Interpretation
The quote emphasizes the freedom of artistic expression and the influence of life experiences on music creation.
A. R. Rahman's quote reflects his belief in the importance of artistic freedom and the inherent connection between life experiences and music creation. He highlights that his music transcends genres, allowing him to explore various creative avenues. By learning from life, he aims to infuse his work with meaningful reflections, whether through lyrical content or musical arrangements, demonstrating how personal experiences can shape artistic expression.
In practice
During a music workshop, you could share this quote to inspire aspiring musicians to embrace their unique styles.
I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like.
Music knows no barrier of age or culture. It isn’t about being politically correct or even making a statement. Music is what appeals to the ears and touches your soul.
In my case, dust has become gold: Today, I work with people I grew up admiring.
A good film demands its own score, and if you are a musician, your conscience will never allow you to do something mediocre for a good film.
I am the kind of person who does not like to carry baggage. In fact, I don't go back and listen to my own music. I believe in closing chapters and moving forward. That's what gives me peace.
A musician is a professional, whether he or she is successful or not. The profession itself must be regarded as a stable job.
When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.
What do I ask of a painting? I ask it to astonish, disturb, seduce, convince.
Don't worry about how pretty (the story) sounds, how lilting it is, and the imagery, and the metaphor, all that. Most readers don't care. It's the people in your book that matter.
If you ask me, I alternate between truly bizarre, what you would call 'Hollywood' movies and truly bizarre, what you would call 'arthouse' movies.
When you have a large space to conquer, the curve is the natural solution.
Dress is at all times a frivolous distinction, and excessive solicitude about it often destroys its own aim.
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