The music you make is shaped by what you play it on ... if you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning ... do something to shake it up.
Interpretation
This quote emphasizes the importance of experimentation in music and creativity.
Mark Knopfler's quote suggests that the quality and impact of music can be significantly influenced by the tools and methods used to create it. If one feels dissatisfied with the outcome, it may be time to change approaches, like switching instruments or techniques, to discover new sounds and experiences.
In practice
During a music workshop, you can inspire participants with this quote to encourage them to explore different instruments.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
If you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning. Do something to shake it up.
I did learn eventually - perhaps far too late - to respect the talent I have. For a lot of years out there, I was just bashing on to the next thing and not really thinking about it too much. That's what we do. But I'm learning to appreciate the moment.
Creativity: Take the obvious, add a cupful of brains, a generous pinch of imagination, a bucketful of courage and daring, stir well and bring to a boil.
Hip-hop is one of the most free art forms there is. There's so many sounds you can use, so many things you can bring in. You never know, man. I bet years ago people would've never said they would hear me with Rick Ross, and we did four classic songs together.
When a dish works, it works for everyone, whether you're Asian, European, African, American or anybody else.
I put steam on the table by being an actor. That is how I live. The longer I live, the more expensive it becomes. So I do my work. And I can't be immensely picky. How many beautiful scripts come in one's lifetime? I have had more than anybody, practically.
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
Poems, novels - these things belong to the nation, to the culture, and the people.
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