The phoenix hope, can wing her way through the desert skies, and still defying fortune's spite; revive from ashes and rise.
Miguel De CervantesRead
I want you to see me naked and performing one or two dozen mad acts, which will take me less than half an hour, because if you have seen them with your own eyes, you can safely swear to any others you might wish to add.
Interpretation
The quote reflects the desire for authentic, vulnerable expression and the power of firsthand experience.
In this quote, Miguel De Cervantes portrays the idea of bare and honest artistic expression, suggesting that by witnessing pure creativity in action, one gains a profound understanding that transcends mere hearsay. It underscores the importance of experiencing art directly to fully comprehend its depth and complexity, as well as the multifaceted nature of human creativity.
In practice
During an art critique session, this quote can emphasize the importance of witnessing the artist's process.
The phoenix hope, can wing her way through the desert skies, and still defying fortune's spite; revive from ashes and rise.
Patience and shuffle the cards.
It's up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they're going well ... For I've heard that what they call fortune is a flighty woman who drinks too much, and, what's more, she's blind, so she can't see what she's doing, and she doesn't know who she's knocking over or who she's raising up.
When the head aches, all the members partake of the pain.
Though Gods attributes are equal, yet his mercy is more attractive and pleasing in our eyes than his justice.
If you are ambitious of climbing up to the difficult, and in a manner inaccessible, summit of the Temple of Fame, your surest way is to leave on one hand the narrow path of Poetry, and follow the narrower track of Knight-Errantry, which in a trice may raise you to an imperial throne.
My small torrent of words dissipated into an elaborate sense of expanding and receding. It was my entrance into the radiance of imagination. This process was especially magnified within the fevers of influenza, measles, chickenpox, and mumps. I got them all and with each I was privileged with a new level of awareness. Lying deep within myself, the symmetry of a snowflake spinning above me, intensifying through my lids, I seized a most worthy souvenir, a shard of heaven’s kaleidoscope.
I think the trouble with artists or chefs who whine about criticism is that if you love the good reviews, you have to at least read the bad ones.
Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.
When you look at hip-hop, I want to do that: to spit fire and take our best from the ashes to build our kingdom; to recognize all the regional styles, conscious lyrics, the tracks, underground, mainstream, the way we treat each other. Lose the garbage and rebuild our scene.
I can't stand directors who try to micro-manage everything. When it happens these days I just walk off set, saying if they don't like the way I'm doing it they can get someone else.
With the first novel, I was concerned I would be pigeon-holed as an Asian-American writer, and the book would be labeled for Asian-Americans only.
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