Many of the poets I most admire have a way of embodying their peculiar obsessions via landscape that can sometimes seem magical.

- Anna Journey

I'm a compulsive enjamber. I'm drawn to half-meanings created by the line, so that's definitely an element of craft that's always on my mind. And I'm…

- Anna Journey

I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel l…

- Anna Journey

I think the grotesque can inspire intimacy (it draws us in) as well as awe, like the cabinets of curiosities.

- Anna Journey

I tend to gravitate toward the realm of superstition (cures and such) and odd scientific facts (like bioluminescent shrimp and fistulated cows). I li…

- Anna Journey

I tend to view the superstitions or fragments of myth as triggers for lyric inquiry. I also find I think of this kind of language as ars poetica - if…

- Anna Journey

Many of the poems weave autobiographical elements with fabular or mythic materials.

- Anna Journey

I prefer assonance and internal rhyme to end rhyme. I mean, the sonnet already looks like a box. Best not to get too boxed in, though.

- Anna Journey

Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where…

- Anna Journey